It is easy how a work like this could be regarded as the artist's point of departure. However, it has been taken as a revival of his formative years, and it shows the usual meditative discretion of the artist's temperament. It is a collagework of various textile materials - blanket clothes, curtain laces - whose edges of what were once a square or rectangle is about to go into some morphic state. Dominantly in blue color, the warm tones were suppressed as if peeking through geometric corners. The patches of white light are aGtually the raw curtain themselves, a super imposement that discloses the way the structure was made.
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